Canon EOS C300 Mark II EF

Brand: Canon
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€13.299,00 €11.039,00 (€9.123,14 Excl. tax)
- Super 35mm CMOS Sensor
- Shoot 4k at up to 410Mbps/10-bit
- EF Lens Mount...More information
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  • EAN: 4549292047097

The EOS C300 Mark II is a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.


Supreme 4K image quality and versatility

With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD,withup to 15 stops of dynamic range,the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The cameraoffers professional filmmakers and broadcasters alike the very best image quality,recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™  media, while simultaneously recording 4K RAW files to an external recorder,offering the flexibility and universal appeal for production at the highest quality available today. Additionally,the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.


The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.


To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include,enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go. 


Instant integration into professional workflows

Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality.The range features XF-AVC intra for 4K, andXF-AVC Long GOP and Proxy options for 2K/Full HD recording,both of which utilise H.264 codec, offering post production flexibility and ease of use.Filmmakers can select the resolution and codec type that best suits their production,with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD. The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camerais also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly widerthan previous Cinema EOS cameras.The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bitand 48 kHz.


Designed for versatility

The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode.Compatibility with the RC-V100 remote control and optional Wi-Fi controlalso enables ease of use in a wider range of locations.


The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.


Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today.For further flexibility, shooters can opt to change the lens mount from the default EF Mount,to EF Mount with Cinema Lock, or tothe industry standard PL mount, as a service option.

Technische specificaties


    Super35mm type CMOS


    RGB primary colourfilter (Bayer array)

    Total pixels per sensor:

    9.84 megapixels

    Effective pixels per sensor:

    Approx. 8.85 megapixels when 4096 x 2160 / 2048 x 1080 resolution selected

    Effective pixels per sensor:

    Approx.8.29 megapixels when 3840 x 2160 or 1920 x 1080 resolution selected

    Minimum illumination:

    59.94 Hz Mode** Lux [F1.2 lens, 24 dB, PF59.94 mode, shutter speed 1/**]

    Minimum illumination:

    50 Hz Mode** Lux [F1.2 lens, 54 dB, PF50, shutter speed 1/**]


    59.94 Hz Mode F*[1920 x 1080 / 59.94i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]


    50 Hz Mode: F** [1920 x 1080 / 50.00i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]

    S/N Ratio:

    59.94 Hz Mode **dB (Typical) [4096 x 2160 / PF29.97, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]

    S/N Ratio:

    5 0Hz Mode: 54 dB (Typical) [1920 x 1080 / PF25, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]

    Dynamic Range:

    With Canon Log gamma: 800 %, With Canon Log2 Gamma 1600 % (ISO 850 or above / gain 2.5 dB or more)

    Horizontal Resolution:

    Up to 1800 TV lines or more depends on shooting resolution and on lens used.




    Lens Mount:

    Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade)

    Focal length adjustment:

    3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.53

    Focal length adjustment:

    4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.46 As indicated for EF-S lenses and Canon cine zoom lenses

    Peripheral illumination correction:

    YES (dependent on lens used)

    ND filter:

    6 glass filters in camera body: 2 stops; 4 stops; 6 stops,8 stops,10 stops. Operate via body, wireless control or via RC-V100 Remote Control Unit.

    Focus control:

    Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lenses including Cine Servo lens range. (Not available with Manual Focus, CINEMA Zoom or Prime lenses).

    Iris control:

    Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses) 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F-number during zoom.

    Image stabilization system:

    Depends on lens used





    Dual DIGIC DV5




    Video storage media:

    CFast2.0 and SD card supported. Simultaneous Recording to CFast2.0 and External Device possible

    Recording time:

    Depending on card used and resolution/ bit rate selected

    Recording file format:

    XF-AVC (Material eXchangeFormat (MXF))

    Recording Standard:

    Video Compression: MPEG-4 AVC/H.264

    Audio Recording:

    Linear PCM (16bit/24bit-48k Hz -4ch)

    File Format:

    XF-AVC (MXF)

    Bit rate:

    Intra 410 / 225/220 / 110Mbps, LongGOP50Mbps

    Long GOP:

    35 or 24 Mbps (for proxy recording onSD cards)


    Recording format SD Card



    Long GOP recording only (*)


    2048 x 1080 / 1920 x 1080

    Signal configuration:

    YCC420 8bit Photo: JPEG


    2048 x 1080 / 1920 x 1080 (*) Proxy recording using low bit rate


    Recording frame rate


    59.94 Hz:

    59.94i / 59.94P / 29.97P / 23.98P (Depending on resolution selected)

    50.00 Hz:

    50.00i /50.00P / 25.00P (Depending on resolution selected




    Slow / Fast motion


    59.94 Hz: 59.94P


    2K (2048 x 1080 / 1920 x 1080):

    1 to 60 (1fps increments) / x60 to x1

    2K CROP (*1)(2048 x 1080 / 1920 x 1080) & Intra:

    1 -60 -120 / x60 -x0.5 (2 fps increments for rates over 60fps)

    2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP:

    1 to 60 (1fps increments) / x60 to x1 (1fps increments)




    4K (4096 x 2160 / 3840 x 2160) 1 -30 (1fps increments):

    /x30 -x1

    2K (2048 x 1080 / 1920 x 1080) & RGB 1 -30 (1fps increments):

    / x30 -x1

    2K (2048 x 1080 / 1920 x 1080) & YCC 1 -30 -60 (1fps increments):

    / x30 -x0.5

    2K CROP (*1) (2048 x 1080 / 1920 x 1080) &Intra & YCC:

    1 -30 -120 / x30 -x0.25 (2fps increments for rates over 60fps)

    2K CROP (*1) (2048 x 1080 / 1920 x 1080)& LongGOP&YCC:

    1 -30 -60 / x30 -x1/2 (1fps increments)




    4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments):

    / x24 -x0.8

    2K (2048 x 1080 / 1920 x 1080)&RGB 1 -24 -30 (1fps increments):

    / x24 -x0.8

    2K (2048 x 1080 / 1920 x 1080)&YCC 1 -24 -60 (1fps increments):

    / x24 -x0.4

    2K CROP (*1) (2048 x 1080 / 1920 x 1080)&Intra&YCC:

    1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)

    2K CROP (*1) (2048 x 1080 / 1920 x 1080)&LongGOP&YC:

    1 -24 -60 / x24 -x0.4 (1fps increments)


    50.00 Hz




    2K (2048 x 1080 / 1920 x 1080) 1 -50 (1fps increments):

    / x50 -x1

    2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra:

    1 -50 -120 / x50-x0.42 (2 fps increments for rates over 50fps)

    2K CROP (*1)(2048 x 1080 / 1920 x 1080) & LongGOP:

    1 -50 (1fps increments) / x50 -x1




    4K (4096 x 2160 / 3840 x 2160) 1 -25 (1fps increments):

    / x25 -x1

    2K (2048 x 1080 / 1920 x 1080) & RGB 1 -25 (1fps increments):

    /x25 -x1

    2K (2048 x 1080 / 1920 x 1080) & YCC 1 -25 50(1fps increments):

    / x25 -x0.5

    2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC:

    1 -25 -120 / x25 -x0.21 (2fps increments for rates over 50fps)

    2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC:

    1 -25 -50 / 250 -50 % (1fps increments)


    24.00 Hz


    4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments):

    / x24 -x0.8

    2K (2048 x 1080 / 1920 x 1080) & RGB 1 -24 -30 (1fps increments):

    / x24 -x80

    2K (2048 x 1080 / 1920 x 1080) & YCC 1 -24 -60 (1fps increments):

    / x24 -x0.4

    2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC:

    1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)

    2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC:

    1 -24 -60 (1fps increments) / x24 -x0.4 (*1) The 2K area at the center of the 4K area is cropped and recorded. The size of the image is doubled (the view

    angle changes).


    Interval Record:


    Frame Record:


    Pre Record (cache record):


    Relay Recording:


    Double Slot (simultaneous) Recording:


    Scan Reverse:

    YES: Both / Vertical/ Horizontal /Off

    HD->SD conversion:


    Internal Data Transfer:

    YES. Clips can be copied from CFast2.0 to CFast2.0 card internally in Media Mode.

    Photo storage media:

    SD Card

    Still quality:

    2048 x 1080 / 1920 x 1080







    4 (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio


    Approx. 1.23 million dots (854 x RGB x 480), 100 % field of viewcoverage

    Image quality adjustments:

    Super High, High or Normal can be selected as the luminance adjustment. Others aresame as for the viewfinder.



    Waveform Monitor:


    Focus Assist:











    0.46 (1.18 cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio


    Organic LED


    Approx. 1770,000 dots (1024 x RGB x 576)

    Image quality adjustments:

    Adjustment of the viewfinder brightness, contrast, color, sharpness and luminanceboosting (on/off) can be performed (using menu settings).



    Correction lens:

    +2.0 to -5.5 diopter




    Audio in:

    YES: 2x XLR input on monitor unit, 3.5 mm input on Camera Body

    Headphone output:

    YES Output impedance 50 or less, Reference signal output level 50 or less

    Reference signal output level:

    - to -12 dBV(with 16 load, volume from MIN to MAX)

    Video/Audio output:

    MON., REC OUT terminals: BNC Jack


    SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425


    SMPTE ST 299-1 [3G]: SMPTE ST 299-2 Output impedance 75, Output signal level 0.8Vp-p


    HDMI terminal (type A) Complies with HDMI specifications. Video / Audio output

    IEEE 1394 (Firewire):




    Time code:

    BNC jack (input / output)


    BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10K


    BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10K

    LCD Monitor Input/Output:

    VIDEO terminal Canons proprietary specifications (special 13-pin jack)

    LCD Monitor Input/Output:

    AUDIO terminal Canons proprietary specifications (special 13-pin jack)

    Component out:


    AV terminal:


    DC input:


    Remote Control Terminal:

    2.5 mm mini jack

    Wireless Control Terminal:

    Via optional Wi-Fi adaptor



    Tally lamp:


    Accessory shoe:

    YES (cold shoe, 3 locations: top of body, top of handle, front of handle)






    Exposure Control and Metering:

    Manual, Push Auto Iris, Auto Iris (with compatible lenses).

    Metering Options:

    (a) Standard (center-weighted metering),(b) Spotlight,(c) Backlight compensation

    Exposure compensation:

    0.25 increments from 0 to 2.0.

    Push Auto Iris:

    YES (EF and EF-S lenses. Not available with EF Cinema Lenses.)

    Exposure Lock:

    Via Push AI Function

    Auto Gain Control setting:



    ISO Sensitivity


    1 Stop increments:

    [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.

    1/3 stop increments:

    [100, 125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600,

    [32000, 40000, 51200, 64000, 80000, 102400]


    Gain setting



    [-6dB, -3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB,30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB 54dB] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.


    Any value from -2dB to 24dB in 0.5dB increments can be set.




    Control Modes:

    Off, Speed, Angle, Clear Scan, Slow

    Shutter speed:

    59.94 Hz


    59.94(i/P) : 1/60/29.98P: 1/30 24.00P 1/24


    1/1 -1/2000

    Clear Scan:

    59.94 Hz mode: 23.98 Hz (lowest) to 250.37 Hz 24.00 Hz mode: 24.00 Hz (lowest) to 250.37 Hz


    The frequency will differ depending on the frame rate setting.


    59.94(i/P) 1/4, 1/8, 1/15, 1/30; 29.98P 1/4, 1/8, 1/15: 24.00P 1/3, 1/6, 1/12


    50.00 Hz



    50.00(i/P) 1/50; 25.00P 1/25


    1/1 -1/2000

    Clear Scan:

    24.00 Hz (lowest) to 250.40 Hz Note: The frequency will differ depending on the frame rate setting.


    50.00(i/P) 1/3, 1/6, 1/12, 1/25; 25.00P 1/3, 1/6, 1/12

    Shutter Angle 59.94 Hz / 50.00 Hz:

    360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25


    Focus Systems


    AF Options:

    Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF

    AF Modes:

    One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting

    Face Detection AF:

    Yes; Face Priority or Face Only

    Dual Pixel CMOS AF:

    Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models)




    Stored Configurations 7 presets


    Canon Log 2:

    C.Gamut(Cinema Gamut) Canon Log 2 : BT.2020 / Canon Log 2 : DCI-P3

    Canon Log 2:


    Canon Log:

    BT.2020 Gamut BT.709

    Storage Medium:

    Internal or SD card

    Gamma Setting Options:

    Canon Log 2 / Canon Log / Wide DR / EOS Std.Normal1 (STANDARD )/ Normal 2 (4.0x) / Normal 3 (BT.709)

    Normal 4 (5.0x)ColourSpace Settings


    Cinema Gamut / BT.2020 Gamut / DCI-P3 Gamut / BT.709 Gamut


    Colour Matrix Settings:

    Neutral / Production Camera / Cinema EOS Original / Video / EOS Std. / OFF

    Customisable and protected settings:


    Black Gamma:


    Low Key Saturation:






    Noise reduction:


    Skin detail:


    Selective Noise Reduction:


    Colour matrix:


    White balance:


    Colour correction:


    Setup level:




    Clip 100 % IRE:







    Kelvin Range:

    2000K to 15000K, 100K intervals, Default 5500K


    Daylight / Tungsten

    White Balance Shift:

    Yes, -9 to +9 (Daylight or Tungsten Preset selected)




    Black balance adjustment:



    Time code


    Countup system:

    Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode)

    Start value setting:

    00:00:00:00, Set / Reset selectable





    16-bit 2ch (48 kHz) linear PCM


    Independent limiters and auto / manual settings

    Microphone attenuation:


    Microphone level meter:





    Battery Type:

    BP-A30 (included),BP-A60 (optional)

    Input Power Supply:

    14.4 V DC (battery pack), 16.7 V DC (DC IN)

    Power Consumption:


    Continuous Recording Time:

    Supplied BP-A30: Up to **** minutes, Optional BP-A60: Up to *** minutes






    Approx. 149 x 183 x 183 mm (5.9 x 7.2 x 7.2 in):

    [EOS C300 MarkII+ thumb rest]

    Approx. 190 x 183 x 187 mm (7.5 x 7.2 x 7.4 in):

    [EOS C300 MarkII+ grip]

    Approx. 190 x 265 x 226 mm (7.5 x 10.4 x 8.9 in):

    [EOS C300 MarkII+grip+bracket+handleunit]

    Approx. 190 x 307 x 362 mm (7.5 x 12.1 x 12.8 in):

    [EOS C300 MarkII+grip+bracket+handleunit+monitorunit]

    Detachable handle:


    Weight (camera only):


    Weight (fully equipped):



    Operating Temperature range



    0C to 40C, 85 % (relative humidity)


    -5C to 45C, 60 % (relative humidity)

In de doos

In the Box


Canon EOS C300 MK II Camera body


Monitor unit and cables

Handle and handle bracket

Shoulder strap

Battery Charger CG-A10

Battery Pack BP-A30

Thumb rest


WFT attachment

Measure hook

Tripod base TB-1

Body cap

Viewfinder cap

Allen key and screws

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