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Canon EOS C100 MARK II (body only)

- Super 35mm 8.3MP CMOS Sensor + EF Mount
- 1920x1080p 59.94/50/29.97/25/23.98
- Built-In Dual Pixel CMOS AF Hardware
€3.799,00 Incl. BTW
€3.139,67 Excl. BTW
Canon EOS C100 MARK II
2-5 days when in stock with supplier
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Great deals!
Personal advice
Fast shipping with UPS
Quality and Service!

Product description

The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.


The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.



An 8.3MP Super35mm CMOS sensor, designed and manufactured by Canon specifically for video capture, combines with DIGIC DV 4 and a new video processing system to deliver superb high-resolution images with high sensitivity, low noise, reduced rolling shutter artefacts and beautifully shallow depth-of-field.



The EOS C100 Mark II features Dual Pixel CMOS Autofocus, which enables continuous AF with over 100 compatible EF lenses. This sensor-based, phase-detection autofocus (AF) technology is designed to provide smooth, high-performance continuous focus in movies. It is a unique, Canon-developed technology, ideal for fast and accurate autofocus, that helps filmmakers to create stunning footage which maximises the creative options offered by fast lenses and shallow depth-of-field.


The EOS C300 camera with Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF Mode, phase detection autofocus helps to ensure non-blurred images and smooth focus transitions even when the subjects and/or camera are moving. This feature places a high priority on maintaining sharp focus while, providing a natural, smooth autofocus movement with selected Canon EF lenses that offer even smoother and quieter operation.


Also available on the EOS C100 Mark II is Face Detection AF*, which is offered in two modes: Face Priority AF and Face Only AF. To allow for maximum coverage of the image that can use this facility when Face AF modes are activated, Dual Pixel CMOS Autofocus is switched off and instead the camera uses Contrast AF to achieve sharp focus.

* Face Detection AF available with Canon EF-S STM lenses.



The EOS C100 Mark II offers high sensitivity recording with an impressive ISO range from 320 right up to ISO 102,400. These extended ISO capabilities allow users to record images more brightly with low noise in extreme low-light shooting environments.



The EOS C100 Mark II allows users to record footage onto both memory cards, choosing between relay recording – where the recording card automatically switches to the other when full – or simultaneous recording where both cards record the same material, providing an automatic backup.


In addition, the camera further extends this capability by allowing Dual Format Recording. This feature allows operators to simultaneously record at up to 1080/60p, storing AVCHD files to one SD card while the second SD card records MP4 files. Operators can even capture AVCHD footage in HD whilst recording MP4 files in SD resolution for maximum workflow flexibility and quick turn-around.


The camera also features a selectable continuous recording option. This function continues to record regardless of the Start/Stop button setting and is available in AVCHD mode only.



The EOS C100 Mark II is designed for effortless, single-operator filmmaking. Thanks to feedback from users and industry professionals, the EOS C100 Mark II has been fine-tuned to incorporate further advancements to help the needs of the lone operator. An improved EVF is now larger (at 1.1cm) and can be tilted to any angle up to 68 degrees to suit the operator and shooting conditions, while a new, 8.8cm, 1.23 million pixel OLED display is articulated and can be tilted and adjusted to suit a wide variety of shooting applications.


The EOS C100 Mark II’s lightweight, ergonomic design makes it easy to pack and comfortable to hold and use – even in tight shooting situations. A robust, splash-resistant body with magnesium alloy components provides the durability needed to go wherever a story takes you.


With even more customisable options – including 17 assignable function buttons and extensive Custom Picture options – the C100 Mark II allows the user to fully optimise the camera to their own personal preferences.



For the widest possible latitude in footage, and where total control is necessary, Canon Log Gamma provides 12 stops of latitude (800% dynamic range) for maximum flexibility in post-production. It enables detailed adjustment for highlight and shadow and broadens the range of colour grading.


The EOS C100 Mark II features an additional Wide Dynamic Range (Wide DR) Gamma feature that produces smooth changes in brightness, seamless gradations, and reproduces clear skin tones with uniform colours; thus delivering footage that can be used without colour grading.



For productions where image quality is absolutely paramount the EOS C100 Mark II is a compact powerhouse that offers clean, uncompressed HDMI output which can be used for high bit rate recording with compatible external devices. Timecode and 2:3 pull-down markers can be embedded in the output signal as required.



Expand your creative options with a huge range of interchangeable lenses. The EF mount on the EOS C100 Mark II is compatible with the full range of Canon EF lenses, including the acclaimed Canon 4K EF Cinema lens line-up. This wide-ranging lens compatibility provides a wealth of creative possibilities, with the EF lens range spanning focal lengths from 8mm to 800mm specialist options such as Macro, Tilt-Shift and Fisheye optics. Three built-in ND filters with manual control increase shooting versatility.



The EOS C100 Mark II is equipped with multiple options for audio capture. Aside from the stereo microphone found on the detachable handle, the camera has two XLR input sockets on the top handle with a 3.5mm jack on the main camera body. A small monoaural microphone is also located on the front of the camera that is ideal for continuity recording, voice annotations and ambient sound capture.


To ensure that audio quality matches the high-quality images produced by the camera Linear PCM recording is available.



Owners of the EOS C100 Mark II can take advantage of the CPS Video service – Canon’s support programme for professional videographers. CPS Video offers exclusive access to a range of benefits including CPS support at major events, a priority repair service and local CPS support in selected countries.



New to the Cinema EOS range of Digital Cinema Cameras is the DIGIC DV4 processor, which provides enhanced image reproduction, supplementing the strengths of the DIGIC DV family – such as smooth gradation and faithful colour reproduction – with support for recording at higher data rates. The sensor and processor work together with the same 2K RGB processing system as found on the larger EOS C500 Digital Cinema Camera. This ensures reduction in both moiré and aliasing, resulting in cleaner, sharper images.



Dual Pixel CMOS AF technology is a groundbreaking innovation from Canon. The sensor in the EOS C100 Mark II is composed of two separate photodiodes for each pixel in order to achieve high-speed readout. With full rein given to these characteristics the sensor is capable of detecting two image signals from each pixel. The pioneering Dual Pixel CMOS AF function offers fast, smooth and accurate focusing when used with a huge range of EF lenses.



Canon develops and manufactures its own sensors and has incorporated an 8.3MP Super35mm CMOS sensor in the EOS C100 Mark II. This sensor has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The camera uses a system developed for Canon’s flagship EOS C500 Digital Cinema Camera, which processes the native 8.3MP readout to produce the very best HD image quality.


Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted.

Technische specificaties

Effective Pixels

3840 x 2160 pixels; Approx. 8.29 megapixels


Total Pixels

4206 x 2340 pixels; Approx. 9.84 megapixels


Sensor Type



Sensor Size

Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 m cell pitch


Scanning System



Number of Sensors




RGB Primary Color Filter (Bayer Array)


Imaging Processor

Digic DV 4


Lens System

Interchangeable Lens System


EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.


Zoom/Focus Preset

Not Available


Shockless Zoom

Not Available


Digital Teleconverter

Not Available


ND Filter

Mechanical ND filter system with option of clear, 2, 4, and 6 stops


Iris Dial

Manual setting in 1/2-step increments, 1/3-step increments or fine


Push Auto Iris Control


Auto Iris Control


Peripheral Illumination Correction



Exposure and Metering


Exposure Modes



Push Auto Iris Control


Auto Iris Control (STM lenses)


Metering Modes

Available (Standard Center Weighted, Spotlight, Backlight)



Normal Setting -6dB to 30 dB (-6 dB to 42 dB with Sensitivity Expansion ON)



3200 to 80,000 in 1/3 stop increments


Auto Gain Control (AGC)

Not Available


Shockless Gain

Not Available


Exposure Compensation/AE Shift



Shutter Modes

3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan


Speed setting can be set in 1/2 or 1/3 stop increments


Shutter Speed Range

59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: , 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz


PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: , 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz


23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz


50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz


PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz


Shutter Angle Settings

59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25


PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25


23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25


50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25


PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25


Iris (Aperture) Range

Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.




Focus Settings

Manual, One-Shot AF, Continuous AF


Autofocus System

Available; AF is dependent on interchangeable lenses


(a) Dual Pixel CMOS AF (screen center)


(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected


AF Modes

One-Shot AF, Continuous AF




Signal System




MPEG-4 AVC / H.264


Color Space



Maximum Bit rate

AVCHD: 28 Mbps


MP4: 35 Mbps


Recording Options



28 Mbps 1920 x1080 59.94P 50P


24 Mbps 1920 x1080 59.94i/PF29.97/23.98P 50i/PF25


17 Mbps 1920 x1080 59.94i/PF29.97/23.98P 50i/PF25


7 Mbps 1440 x1080 59.94i/PF29.97/23.98P 50i/PF25




35 Mbps 1920 x1080 59.94P 50P


24 Mbps 1920 x1080 29.97P/23.98P 25P


17 Mbps 1920 x1080 29.97P/23.98P 25P


4 Mbps 1280 x 720 29.97P/23.98P 25P


3 Mbps 640 x 360 29.97P/23.98P 25P


Recording Time

AVCHD 128 GB SD Card


1920 x 1080 28 Mbps 10 hours 10 minutes


1920 x 1080 24 Mbps 11 hours 55 minutes


1440 x 1080 17 Mbps 16 hours 45 minutes


1440 x 1080 7 Mbps 38 hours 25 minutes


MP4 128 GB SD Card


1920 x 1080 35 Mbps 8 hours 00 minutes


1920 x 1080 24 Mbps 11 hours 55 minutes


1920 x 1080 17 Mbps 16 hours 45 minutes


1280 x 720 4 Mbps 69 hours 30 minutes


640 x 360 3 Mbps 91 hours 55 minutes


*Recording will automatically stop when it has continued for 12 hours in AVCHD and MP4


Recording Media

SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported


File Format





File System

FAT 32


Maximum Clip Number

999 (per media)




Recording Format



28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz


All Other Modes: Dolby Digital 2ch




MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz


35-17 Mbps: 256 kbps


Less than 4 Mbps: 128 kbps


Built-in Microphone

Monaural Microphone in Camera Body


Stereo Microphone in Handle Unit


External Audio Inputs

2 - XLR inputs (Auto and Manual level settings)


External microphone terminal:

(3.5 mm diameter)


Recording Channel Selection

This is used to set the allocation of the audio channels:


CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.


CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.


CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.


ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.


XLR Mic Trimming

Available; -12dB, -6 dB, 0dB, +6dB or +12 dB





Recording Level Adjustment Range

- Infinity to +18dB, Automatic


Separate controls for internal and externally connected microphones.


Phantom Power

Available; +48V


Headphone Adjustment

16 Settings; Volume is muted at lowest setting


Built-in Speaker

Yes; 16 level settings


1KHz Tone

Available; Off, -12, -18, or -20 dB


Features and Performance



(1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.


(2)Special Playback:


Fast Forward: 5x Speed>15x speed>60x speed>5x speed...


Fast Reverse: 5x speed>15x speed>60x speed>5x speed...


Frame Forward: 1-frame increments


Frame Reverse: In 0.5 second increments (1-GOP increments)


Skip Playback: The first image located according to the number of times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip and pauses.


Rec. Review: Rec review is executed by pressing the rec review button while in camera mode. By selecting whether the play back from the start of the last clip on the selected media or play back the last 4 seconds of that clip. When continuous recording has been performed so that the recording extends from one care onto the other, only the images on the card in the current slot are played.



Slow Playback: None


Slow and Fast Motion Recording


Available in MP4 Mode Only. This function achieves a fast or slow motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be selected using the camera's video quality and frame rate settings. No

sound is recorded.


59.94 Hz mode (MP4)

Video Quality/playback frame rate S&F motion


[Playback speed] Recording bit rate Speed class of memory cards


35 Mbps/59.94P 29.97P [Fast x2] 17.5 Mbps Class 4


23.98P [Fast x2.5] 14 Mbps Class 4


24 Mbps/29.97P 59.94P [Slow x0.5] 48 Mbps Class 10


23.98P [Fast x1.25] 19.2 Mbps Class 4


24 Mbps/23.98P 59.94P [Slow x0.4] 60 Mbps Class 10


29.97P [Slow x0.5] 30 Mbps Class 4


17 Mbps/29.97P 59.94P [Slow x0.5] 34 Mbps Class 6


23.98P [Fast x1.25] 13.6 Mbps Class 4


17 Mbps/23.98P 59.94P [Slow x0.4] 42.5 Mbps Class 6


29.97P [Slow x0.8] 21.3 Mbps Class 4


50.00 Hz mode (MP4)

Video Quality/playback frame rate S&F motion


[Playback speed] Recording bit rate Speed class of memory cards


35 Mbps/50.00P 25.00P [Fast x2] 17.5 Mbps Class 4


24 Mbps/25.00P 50.00P [Slow x0.5] 48 Mbps Class 10


17 Mbps/25.00P 50.00P [Slow x0.5] 34 Mbps Class 6


Special Recording Functions

Relay Recording; Double-Slot Recording; Continuous Recording


Photo Recording Mode

Available; Images captured to SD Card; Images can be captured in Camera and Media modes.


Waveform Monitor

Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)


Gain: 1x/2x



Available; 2 Modes (Spot/Normal)


Gain: 1x/5x


Exposure/Focus Aids

Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode


Interval Record

Not Available


Frame Record

Not Available



Yes, 3 seconds cache (Audio and Video)


Scan Reverse

Available (Horizontal, vertical or both can be selected)


Time code

Drop Frame (DF)* or Non-Drop Frame (NDF)


*59.94(i/P>/29.97P mode in 59.94 Hz mode only


Time Code Modes

Regen, Record Run, Free Run


Auto White Balance (AWB)

Available (BT.709/Wide DR)


White Balance Presets

AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B


Custom Functions

Available, 8 total functions


Custom Display

Available; Total of 33 displays including audio level and remaining battery can be turned on and off


Assign Buttons

17; Can be assigned functions as desired


Color Bars

Available; Color bars compliant with SMPTE, ARIB


(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)


Minimum Subject Illumination


59.94 Hz Mode: 0.3 Lux

(f/1.2 lens, 24 dB, PF29.27, 1/30s)

50.00 Hz Mode: 0.25 Lux

(f/1.2 lens, 24 dB, PF25.00, 1/25s)



59.94 Hz mode: F9

[1920x1080/59.94i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]

50.00 Hz mode: F10

[1920x1080/50.00i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]

S/N Ratio


59.94 Hz Mode: 54db (Typical)

[1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]

50.00 Hz Mode: 54dB (Typical)

[1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]

Dynamic Range

During Normal Shooting: 300%


*With Canon Log Gamma or Wide DR Gamma: 800%


*ISO 850 or above - gain 2.5dB or above




Viewing Angle Adjustment



Diopter Adjustment Range

+2.0 to -5.5


EVF Adjustments

Brightness, Contrast, Color, Sharpness, and Backlight


LCD Monitor



Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body


Display Adjustments

Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)




Time code In/Out

Yes; through HDMI (Output Only)



Yes (Type A); Video and Audio Output


Audio Input Terminal

2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit


3.5mm Microphone terminal on main body


Headphone Jack

Available; 3.5mm stereo mini-jack


Remote Terminals

Available, 2.5mm stereo mini jack



Not Available




Power Terminal

Battery Pack: 7.4 V


DC in: 8.4V



BP-9 Series (BP-955 Supplied)


Compact Power Adapter

CA-940 N (Supplied)




Tripod Adapter

Canon TA-100


Tripod Adapter Base

Canon TB-1


Zoom Remote Controller

Canon RC-V100





C100 Mark II (Body plus Thumb Rest (without eyecup)):


Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)


C100 (Body plus Grip plus Eyecup):


Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)


C100 (Body plus Thumb Rest plus Handle Unit & Eyecup):


Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)


Main Unit Weight



Total Equipped Weight



(Weight includes the Grip, hook, Handle Unit, BP-955, 2x SD Cards.)




(Weight includes the Grip, hook, BP-955, 2x SD cards.)


Temperature and Humidity

Performance requirements: 0C to 40C, 85% (relative humidity)


Operating requirements: -5C to 45C, 60% (relative humidity)


Language Support

German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese


Time and Date

Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese and European Date formats.


World Clock

World Clock support - UTC time setting: Setting range from -12:00 to +14:00


In the Box


Canon EOS C100 Mark II Camera


Handle Unit

Thumb Rest

Tripod Base

Shoulder Strap (SS-1200)

Battery Pack (BP-955)

Compact Power Adaptor (CA-941)

Battery Charger (CG-940)

DC Cable (for CA-930)

AC Cable

Data Import Utility Disc

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