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Atomos

Atomos Sumo

- 1920 x 1080 Touchscreen Display
- 10-Bit FRC Monitor Processing
- HDMI 2.0 and 12G-SDI Inputs/Outputs
€2.999,00 Incl. BTW
€2.478,51 Excl. BTW
106619
Direct beschikbaar
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Product tags

Product omschrijving

With its large, bright color-accurate 19" LCD screen and 4K recording capabilities, the Atomos Sumo can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats. All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, 12-bit raw recording over SDI is also possible, for more flexibility in post-production.

 

Back in the studio, the HDR capabilities of the Sumo are again beneficial; enabling editors and colorists to see deeper into the captured image information. The 10-bit image processing, combined with the 10-bit FRC capable LCD panel, shows subtle gradations in recorded footage whether playing back directly from recording media or from a connected computer. The display itself can be calibrated to maintain color accuracy over the Sumo's lifetime.

 

Use Cases

 

On the DIT Cart

 

Get HDR on set in real time with on-the-fly log to HDR and PQ (Perceptual Quantizer)/HLG (Hybrid Log-Gamma) playback, complete with mission-critical monitoring tools such as waveform, focus peaking, false color, and vectorscope on the calibrated screen. Beyond monitoring, with DCI 4K, UHD, 2K, and 1080p recording, you can generate instant dailies to readily available SSD media.

 

1st AC Monitor

 

The large 19" panel gives focus pullers access to a high-quality HD image with focus assist tools such as peaking and 2:1/1:1 zoom. The robust aluminum-alloy chassis ensures that this monitor can be moved and reset for every shot during the production.

 

Client/Director's Monitor

 

Remap incoming flat-looking log footage to HDR for a more exciting and true-to-life preview of the footage. Full playback controls and XML file tagging means that a director can review footage and create an instant lightweight ProRes LT copy, with baked-in LUTs and audio, to the onboard SSD. You can choose to view both log and standard gamma images with or without looks applied, with quick toggling between them for ease of comparison.

 

Studio Monitor

 

In the studio, you can leverage the HDR capabilities of the Sumo for accurate monitoring. With a 10-stop dynamic range and 10-bit processing combined with X-Rite calibration, you can be sure that your color-corrected images will translate through the post-production pipeline.

 

Features

 

Production-Grade Build Quality

 

The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.

 

Versatile I/O Options

 

Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI (Quad 3G/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G-SDI outputs without the need for converters. HDMI 2.0 supports up to DCI 4K and UHD input and output, along with the very latest Atomos open protocol that supports HDR automation, including importing of camera settings. There is also support for Genlock and LTC timecode.

 

High-Quality Recording

 

Capture the raw data stream output from Sony's FS5, FS7, or FS700, Canon's C300 Mark II or C500, or Panasonic's VariCam LT over SDI up to 12-bit DCI 4K as Cinema DNG, 10-bit Apple ProRes, or 10-bit Avid DNxHR. The processing power of Sumo preserves pristine quality direct from the camera, with data rates up to 3.2 Gbps.

 

Versatile Functionality

 

Using multiple inputs, you can record and play back up to four HD video channels, live. Leveraging the Sumo's XML capabilities, you can switch and mix a live recording, and stream or record four HD ISO recordings. Switch between feeds on-screen with cueing, crossfade, and hard cuts from the locked sources, or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired result infinitely editable.

 

Built-In XLR Audio

 

Eliminate the need for a separate audio recorder by using the full-size XLR connections to connect and power external microphones, for balanced analog audio with dedicated meters and adjustments for frame delay and gain. Phantom powered (48V) mics and line-level audio are all seamlessly synchronized, so there's no need to match in post. There are also a 3.5mm stereo headphone jack and built-in speakers, for on set instant or playback review with clients or the production team.

 

HDR Processing

 

The Sumo's 19" 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/Rec 709 displays for on set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio.

 

Daylight-Viewable LCD Screen

 

The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.

 

X-Rite Calibration

 

Like many high-end video and computer monitors, the Sumo can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use X-Rite's separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.

 

Continuous Power

 

Dual 4-pin XLR inputs for power means that the Sumo can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the Sumo with power from V-Mount or Gold Mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.

Technische specificaties

Display

Type

19" / 48 cm IPS capacitive touchscreen

Resolution

1920 x 1080

Bit Depth

10-bit (8-bit plus FRC)

Color Gamut

REC. 709

Video Aspect Ratio

Native: 16:9

Brightness

1200 cd/m²

LUT Support

3D LUT (.cube file format)

 

 

Interface

Inputs

1 x HDMI Type A, v2.0
3 x BNC, HD/3G-SDI
1 x BNC, HD/3G/6G/12G-SDI
2 x XLR, balanced analog audio with 48 V phantom power

Outputs

1 x HDMI Type A, v2.0
1 x BNC, HD/3G/6G/12G-SDI
1 x 3.5 mm, stereo headphone

 

 

Supported Video Format

Supported Signals

Video:
Input: 8/10-bit 4:2:2 (dependent on video source)
Output: 8/10-bit 4:2:2 (dependent on video source)

Encoding Formats

Apple ProRes: HQ, 422, LT
AVID DNxHR: HQX, HQ, SQ, LB
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120/200/240
1080i 50/60
720p 50/60

Canon (C300 mk2, C500) Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Panasonic (VariCam LT, VariCam35) Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Sony (FS5, FS7 with XDCA-FS7, FS700) Cinema-DNG Raw:
4096 x 2160 24/25/30
2048 x 1080 24/25/30/50/60/100/120

Raw to ProRes/DNx:
4096 x 2160 24/25/30/50/60
2048 x 1080 24/25/30/50/60/100/120/240

Video Signal Conversion

HDMI to SDI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60

SDI to HDMI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60

Pulldown Conversion

24/25/30PsF to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)

 

 

Supported Audio Formats

HDMI

2/8-channel, 24-bit (camera dependent)

SDI

Up to 12-channel, 24-bit, 48 kHz

Dynamic Range

> 90 dB

Signal Level

Maximum: +24 dBu

Gain

Maximum Analog Gain: +52 dB

 

 

Remote Operation

 

HDMI

Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard

SDI

SDI trigger camera selectable

LANC

Supports slave configuration

 

 

Recording Media

Supported Media

4K:
2.5" SSD

HD High Frame Rate (50/60/120p):
2.5" SSD
2.5" HDD (7200 rpm and up) for 1080p 50/60

HD (30p and Less):
2.5" SSD
2.5" HDD (5400 rpm and up)

Note: Only use media that has been approved by Atomos

Master Caddy Dock

Interface: 2.5" SATA to USB 2.0/3.0

Supported Applications

Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015

XML Support

FCPX XML native, FCP7/Adobe supported with conversion

 

 

General

Voltage

14.4 VDC

Power Consumption

75 W

Supported Battery Types

V-Mount, Gold Mount (requires optional mounting plate)

Mount Types

1/4"-20: 4 x top, 4 x bottom, 2 x side
3/8"-16: 2 x top, 2 x bottom, 1 x side
VESA mount on rear

Dimensions

19.8 x 12.2 x 2.5" / 50.4 x 31 x 6.3 cm (without stand)
19.8 x 13 x 7.1" / 50.4 x 33 x 18 cm (with stand)

Weight

12.3 lb / 5.6 kg (without stand)
13.7 lb / 6.2 kg (with stand)

Extra

1x Sumo unit, Master Caddy II x 1

1x AC power supply

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